
plate no. 8535
Marsden Hartley, 1918
Recreating this painting will help students practice layering colors and creating texture with visible brushstrokes. It also provides an opportunity to explore simplified forms and expressive color choices.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, horizon line, and trees.
Block in the sky with light blue, leaving some areas for clouds.
Apply a base layer of dark blue for the mountains, varying the tone slightly.
Add green and darker blue strokes to the mountains to create texture and depth.
Block in the field with a mix of orange, yellow, and brown.
Add green and blue strokes to the field to represent vegetation and shadows.
Paint the trees with a mix of green and blue, using short, choppy strokes.
Refine details and add highlights where needed.
color palette
primary · ultramarine blue · yellow ochre · titanium white
secondary · viridian green · burnt sienna
Mix ultramarine with white for the sky. Use yellow ochre and burnt sienna for the field, adding white to lighten. Mix ultramarine and viridian green for the vegetation.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Oil pastels or acrylics could also be used.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor