apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Procession in Toledo
Procession in Toledo by Jose Gutierrez Solana

plate no. 1867

Procession in Toledo

Jose Gutierrez Solana, 1905

oilExpressionismgenre paintingprocessionfiguresrobesreligiousstreetcityscape
some experience helpful

Recreating this painting will help students develop skills in capturing atmosphere and using a limited palette to create tonal variations. It also provides practice in depicting figures in a crowd and suggesting details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main shapes of the figures and buildings, paying attention to the light and shadow patterns.

  4. step 04

    Develop the dark robes, mixing browns and blacks to create subtle variations in tone.

  5. step 05

    Add the lighter areas of the figures and buildings, using creams and grays.

  6. step 06

    Define the details of the faces and hands, using small brushstrokes and subtle color changes.

  7. step 07

    Add the highlights and shadows to create depth and dimension.

  8. step 08

    Refine the overall composition and add any final details.

color palette

primary · burnt umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve the dark robes by mixing burnt umber and ivory black. Use titanium white to lighten these colors and create highlights. Add small amounts of yellow ochre or cadmium red light to warm up the browns and blacks.

techniques

  • ·underpainting
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall atmosphere.
  • →Using too much color and creating a painting that is too bright.
  • →Failing to establish a strong value structure.
  • →Making the figures too stiff and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for dry brushing and scumbling techniques.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor