apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Printemps en Bretagne
Printemps en Bretagne by Charles Lapicque

plate no. 5760

Printemps en Bretagne

Charles Lapicque, 1959

oilFauvismlandscapelandscapecloudsrockshousetreessea
some experience helpful

Recreating this painting will help students develop skills in color mixing and applying expressive brushstrokes to define shapes and forms. It also encourages simplification of complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the large rock formations, the house, and the cloud formations.

  2. step 02

    Block in the sky with light blues, purples, and grays, focusing on the overall cloud shapes.

  3. step 03

    Establish the horizon line and the sea with varying shades of blue and green.

  4. step 04

    Begin filling in the large rock formations with purples, pinks, and oranges, using bold brushstrokes.

  5. step 05

    Add the house, using light pinks and purples for the walls and a darker blue for the roof.

  6. step 06

    Introduce the greenery with various shades of green and yellow, using short, expressive strokes.

  7. step 07

    Refine the details, adding highlights and shadows to create depth and dimension.

  8. step 08

    Step back and adjust the overall composition and color balance.

color palette

primary · ultramarine blue · cadmium yellow · alizarin crimson · titanium white

secondary · viridian green · purple · orange

Mix various shades of purple by combining alizarin crimson and ultramarine blue. Achieve the pinks by mixing alizarin crimson with titanium white. Create greens by mixing ultramarine blue and cadmium yellow.

techniques

  • ·broken color
  • ·expressive brushstrokes
  • ·color layering
  • ·simplification of form
  • ·optical color mixing

common pitfalls

  • →Over-blending colors, resulting in a muddy appearance.
  • →Focusing too much on detail in the initial stages.
  • →Not varying brushstrokes enough to create texture.
  • →Ignoring the overall color harmony and balance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·turpentine or mineral spirits (for oil paints)

Use a medium-textured canvas to enhance the brushstroke visibility. Acrylics are a good option for beginners due to their fast drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis