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home·artworks·Pre-Hispanic America
Pre-Hispanic America by Diego Rivera

plate no. 7602

Pre-Hispanic America

Diego Rivera, 1950

oilMuralismhistory paintingfigurestempleslandscapeanimalsritualhistory
experienced study

Recreating this painting will help students develop skills in complex composition, layering, and color mixing to create depth and visual interest. It also encourages exploration of narrative and symbolic representation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, mapping out the major elements and their placement.

  2. step 02

    Establish the background colors and general atmosphere with broad washes.

  3. step 03

    Block in the main figures and structures with simplified shapes and base colors.

  4. step 04

    Start layering details onto the figures and buildings, gradually refining their forms and adding textures.

  5. step 05

    Focus on the central figure and temple, adding highlights and shadows to create a focal point.

  6. step 06

    Develop the surrounding landscape and smaller figures, paying attention to their relationships within the scene.

  7. step 07

    Add final details such as patterns, textures, and symbolic elements.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · red · ochre · green · blue

secondary · yellow · brown · white · black

Achieve the earthy tones by mixing ochre, burnt umber, and white. Use red and yellow to create the vibrant skin tones, and mix blues and greens for the landscape.

techniques

  • ·layering
  • ·color mixing
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the colors and losing the vibrancy of the initial layers.
  • →Ignoring the relationships between the figures and the surrounding environment.
  • →Failing to create a clear focal point within the complex composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Acrylic or oil paints (red, ochre, green, blue, yellow, brown, white, black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Rags
  • ·Easel

optional

  • ·Retarder medium
  • ·Varnish
  • ·Color charts

Use high-quality paints for better color saturation and longevity. Consider using a medium to adjust the consistency and drying time of the paints.

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