apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Praia De Jurujuba
Praia De Jurujuba by Alberto da Veiga Guignard

plate no. 2726

Praia De Jurujuba

Alberto da Veiga Guignard, 1940

oilExpressionismself-portraittreeswaterbuildingsboatlandscapesky
some experience helpful

Recreating this painting will help students practice layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and forms. It also provides practice in capturing the essence of a scene rather than photorealistic detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, buildings, and shoreline.

  2. step 02

    Block in the large areas of color: sky, water, and distant hills.

  3. step 03

    Add the darker tones for the tree trunk and foliage, focusing on the shadow shapes.

  4. step 04

    Introduce lighter greens and blues to create highlights in the foliage and water.

  5. step 05

    Paint the buildings with simplified shapes and colors, paying attention to their relationship to the light.

  6. step 06

    Add details to the boat and figures, using small brushstrokes.

  7. step 07

    Refine the details and add final touches to the overall composition.

  8. step 08

    Allow to dry and add a varnish coat.

color palette

primary · Prussian blue · Sap green · Titanium white

secondary · Burnt umber · Cadmium red · Yellow ochre

Mix greens by combining blue and yellow. Use white to lighten colors and create variations in tone. Add a touch of red to umber for warmer browns.

techniques

  • ·Dry brush
  • ·Layering
  • ·Color mixing
  • ·Impasto
  • ·Scumbling

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors straight from the tube without mixing.
  • →Not establishing a clear value structure.
  • →Ignoring the importance of negative space.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 6, 8)
  • ·Flat brushes (sizes 4, 10)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water
  • ·Rags

optional

  • ·Medium (linseed oil or acrylic medium)
  • ·Easel
  • ·Varnish

Use good quality paints for better color saturation and longevity. A textured canvas can enhance the brushwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor