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home·artworks·Portraite of Robert Mitchum
Portraite of Robert Mitchum by Zani Corrado

plate no. 7779

Portraite of Robert Mitchum

Zani Corrado, 2018

oilExpressionismportraitportraitfiguremanfaceheadclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using expressive brushstrokes to define form. It also focuses on understanding and applying value contrast to create depth and dimension.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and features of the face onto the canvas.

  2. step 02

    Establish the background with thin washes of color, blending blues, greens, and yellows.

  3. step 03

    Block in the main areas of light and shadow on the face using a limited palette of browns, grays, and whites.

  4. step 04

    Refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Build up layers of paint, using thicker brushstrokes to add texture and detail.

  6. step 06

    Adjust the values and colors to create a sense of depth and realism.

  7. step 07

    Add highlights to the face and hair to enhance the contrast.

  8. step 08

    Make final adjustments to the overall composition and details.

color palette

primary · titanium white · burnt umber · ivory black

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt umber, titanium white, and small amounts of yellow ochre. Use ultramarine blue and burnt umber to create dark shadows.

techniques

  • ·alla prima
  • ·dry brushing
  • ·value studies
  • ·expressive brushwork
  • ·color mixing

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the importance of value contrast.
  • →Getting lost in details too early in the process.
  • →Not creating enough variation in brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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