
plate no. 2199
Francis Bacon, 1957
Recreating this painting will help students develop skills in limited palette mixing, expressive brushwork, and creating a sense of depth with subtle value changes. It also encourages experimentation with distorted and expressive portraiture.
technical profile
approach — 8 steps
Prepare a canvas with a dark, neutral ground (e.g., black or dark brown).
Lightly sketch the basic shapes of the figure, chair, and the geometric lines of the room.
Block in the large areas of color for the figure and chair, focusing on the overall value structure.
Begin to build up the details of the figure's face, using small, expressive brushstrokes to create texture and distortion.
Refine the details of the chair and clothing, paying attention to the subtle shifts in value and color.
Add the geometric lines of the room, using a light color to create a sense of depth and perspective.
Adjust the overall composition, adding highlights and shadows as needed to create a sense of drama and intensity.
Allow to dry and add a final layer of varnish for protection.
color palette
primary · ivory black · titanium white · raw umber
secondary · alizarin crimson · ultramarine blue · yellow ochre
Mix various shades of gray and brown by combining black, white, and umber. Use small amounts of alizarin crimson and ultramarine blue to create subtle variations in the skin tones and shadows. Yellow ochre can be used to add warmth to the highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
A pre-toned canvas with a dark neutral color will help to establish the overall mood of the painting.
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