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Portrait X by Francis Bacon

plate no. 2199

Portrait X

Francis Bacon, 1957

oilExpressionismportraitfigureportraitchairroomdark backgroundseated
some experience helpful

Recreating this painting will help students develop skills in limited palette mixing, expressive brushwork, and creating a sense of depth with subtle value changes. It also encourages experimentation with distorted and expressive portraiture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a dark, neutral ground (e.g., black or dark brown).

  2. step 02

    Lightly sketch the basic shapes of the figure, chair, and the geometric lines of the room.

  3. step 03

    Block in the large areas of color for the figure and chair, focusing on the overall value structure.

  4. step 04

    Begin to build up the details of the figure's face, using small, expressive brushstrokes to create texture and distortion.

  5. step 05

    Refine the details of the chair and clothing, paying attention to the subtle shifts in value and color.

  6. step 06

    Add the geometric lines of the room, using a light color to create a sense of depth and perspective.

  7. step 07

    Adjust the overall composition, adding highlights and shadows as needed to create a sense of drama and intensity.

  8. step 08

    Allow to dry and add a final layer of varnish for protection.

color palette

primary · ivory black · titanium white · raw umber

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix various shades of gray and brown by combining black, white, and umber. Use small amounts of alizarin crimson and ultramarine blue to create subtle variations in the skin tones and shadows. Yellow ochre can be used to add warmth to the highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·limited palette mixing
  • ·expressive brushwork
  • ·glazing

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic gesso
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Alizarin crimson oil paint
  • ·Round brushes (various sizes)
  • ·Palette

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

A pre-toned canvas with a dark neutral color will help to establish the overall mood of the painting.

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oil painting for beginners →how to learn by studying the masters →
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