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home·artworks·Portrait with apples (Portrait of the Artist's Wife)
Portrait with apples (Portrait of the Artist's Wife) by August Macke

plate no. 0750

Portrait with apples (Portrait of the Artist's Wife)

August Macke, 1909

oil, canvasExpressionismportraitportraitfigureapplesdraperystill lifedress
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and drapery, and understanding of light and shadow to create form. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the figure, the drapery, and the plate of fruit.

  2. step 02

    Block in the background with a dark, muted color, paying attention to the subtle variations in tone.

  3. step 03

    Establish the basic skin tones, using a limited palette and focusing on the light and shadow areas.

  4. step 04

    Paint the drapery, using visible brushstrokes to create texture and movement.

  5. step 05

    Add the dark green dress, capturing the subtle folds and shadows.

  6. step 06

    Paint the fruit, focusing on their individual colors and shapes.

  7. step 07

    Refine the facial features, paying attention to the proportions and expression.

  8. step 08

    Add final details and highlights to enhance the overall composition.

color palette

primary · yellow ochre · burnt umber · titanium white · Prussian blue

secondary · cadmium yellow · cadmium red · viridian

Mix skin tones using yellow ochre, burnt umber, and white, with small amounts of red for warmth. Achieve the drapery color by mixing yellow ochre with white and a touch of green. The dark green dress is a mix of Prussian blue and yellow.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in color and tone in the drapery.
  • →Getting the proportions of the face wrong.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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