apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Vasily Shuhaev in his Studio
Portrait of Vasily Shuhaev in his Studio by Alexandre Jacovleff

plate no. 8823

Portrait of Vasily Shuhaev in his Studio

Alexandre Jacovleff, 1928

oilNeoclassicismportraitportraitfigurechairstudioartistpipe
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in color and value to create a realistic appearance.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Paint the chair and other background elements, using a limited palette to maintain focus on the figure.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Make final adjustments to the composition and color balance to create a cohesive and harmonious painting.

color palette

primary · raw umber · titanium white · ultramarine blue · burnt sienna

secondary · yellow ochre · ivory black · cadmium red light

Mix skin tones using a combination of white, raw umber, burnt sienna, and a touch of red. Achieve the blue-grey of the coat by mixing ultramarine blue with white and a touch of raw umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly saturated colors
  • →Lack of attention to subtle value shifts
  • →Ignoring the importance of edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Chinese God

A Chinese God

Alexandre Jacovleff

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini