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home·artworks·Portrait of Toty Rodríguez
Portrait of Toty Rodríguez by Oswaldo Guayasamin

plate no. 7359

Portrait of Toty Rodríguez

Oswaldo Guayasamin, 1967

oilExpressionismportraitportraitfigurefacehairwomaneyes
some experience helpful

Recreating this painting will help students understand how to simplify a portrait into basic shapes and planes, and how to use a limited color palette to create depth and form. It also provides practice in expressive brushwork and capturing a likeness with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the face, hair, and shoulders, focusing on proportions and placement.

  2. step 02

    Block in the background with a thin layer of red paint, varying the tone slightly.

  3. step 03

    Establish the main areas of light and shadow on the face using yellow, ochre, and green hues.

  4. step 04

    Paint the hair and clothing with dark brown and black, using visible brushstrokes to suggest texture.

  5. step 05

    Refine the facial features, paying attention to the shape and placement of the eyes, nose, and mouth.

  6. step 06

    Add highlights to the hair and face with lighter tones of yellow and white.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and harmony.

  8. step 08

    Add final details and clean up any edges.

color palette

primary · cadmium red · yellow ochre · burnt umber

secondary · viridian green · titanium white

Mix yellow ochre with small amounts of red and green to create the various skin tones. Use white to lighten the colors and create highlights. Mix burnt umber with black to create the dark tones for the hair and clothing.

techniques

  • ·blocking in
  • ·color mixing
  • ·expressive brushwork
  • ·simplification
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using too many colors and creating a muddy effect.
  • →Not paying attention to the proportions of the face.
  • →Making the values too uniform and losing the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·cadmium red paint
  • ·yellow ochre paint
  • ·burnt umber paint
  • ·viridian green paint
  • ·titanium white paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-sized canvas to allow for expressive brushstrokes. Acrylics will dry faster, while oils will allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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