
plate no. 6116
George Bouzianis, 1923
Recreating this painting will help students develop skills in layering paint, simplifying forms, and capturing a likeness with expressive brushstrokes. It also teaches how to create depth and form with a limited color palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, hat, and shoulders.
Block in the background with a dark, muted color.
Establish the main areas of light and shadow on the face using a thin wash of color.
Begin layering thicker paint to define the features, focusing on the planes of the face.
Add the hat and clothing, using broad brushstrokes to suggest form.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add highlights and shadows to create depth and dimension.
Make final adjustments to the composition and color balance.
color palette
primary · yellow ochre · burnt umber · Prussian blue
secondary · titanium white · cadmium red
Mix yellow ochre and burnt umber for the skin tones. Use Prussian blue and burnt umber for the dark areas. Add titanium white to lighten the colors and create highlights. Mix cadmium red with burnt umber for the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to create a more unified color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor