
plate no. 5629
Otto Dix, 1926
From the record
from the sources
The portrait was painted by Otto Dix in 1926. en.wikipedia.org
“is a painting by German painter Otto Dix, from 1926.”
The work is painted on a wood panel using a mixed technique of oil and tempera. en.wikipedia.org
“It is made from a wood panel and a mixed technique of oil and tempera.”
The Musée National d'Art Moderne in Paris acquired the portrait directly from the artist in 1961. en.wikipedia.org
“The portrait was acquired from the artist by the Musée National d'Art Moderne in Paris in 1961.”
The sitter is shown against a plain red and pink background with no decoration, door or window, suggesting a cafe corner. en.wikipedia.org
“The portrait is set on a red and pink background, without decoration, door or window, which suggests the corner of a cafe.”
The sitter wears a monocle on her right eye. en.wikipedia.org
“She wears a monocle on the right eye.”
A cigarette box on the table bears the sitter's name, and a matchbox shows the German eagle. en.wikipedia.org
“On the table with a white marble top are a cigarette box marked with the name Sylvia von Harden, a matchbox bearing the German eagle and a conical glass three-quarters full.”
Von Harden agreed to pose and sat for several sessions over the following weeks. en.wikipedia.org
“Von Harden agreed to pose for the painter, and sat for several sessions in the following weeks.”
The portrait was recreated in the opening and closing scenes of Bob Fosse's 1972 film Cabaret. en.wikipedia.org
“The portrait was recreated in the opening and closing scenes of the film Cabaret (1972) by Bob Fosse, set in Berlin during the Weimar Republic.”
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and objects.
Establish the background color with a thin wash of red, gradually building up layers for depth.
Block in the main shapes of the figure, paying attention to the plaid pattern of the dress.
Develop the facial features, focusing on accurate proportions and capturing the subject's unique expression.
Add details to the table and objects, including the marble texture, cigarette, and matchboxes.
Refine the lighting and shadows to create a sense of depth and volume.
Add final details, such as the ring and the smoke from the cigarette.
Glaze with thin layers of color to unify the painting and enhance the overall effect.
color palette
primary · red · black · white · flesh tones
secondary · brown · yellow · gray
Mix various shades of red by combining primary red with black and white. Achieve skin tones by blending white, yellow ochre, and a touch of red. Use gray and white to create the marble effect on the table.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor