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home·artworks·Portrait of the Journalist Sylvia Von Harden
Portrait of the Journalist Sylvia Von Harden by Otto Dix

plate no. 5629

Portrait of the Journalist Sylvia Von Harden

Otto Dix, 1926

oil, tempera, woodExpressionismportraitportraitfiguretableinteriorcigaretteplaid
experienced study

Recreating this painting helps develop skills in portraiture, particularly capturing unique facial features and expressions, and in rendering textures like fabric and marble. Students will also learn about color mixing to achieve realistic skin tones and subtle variations in the red background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background color with a thin wash of red, gradually building up layers for depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the plaid pattern of the dress.

  4. step 04

    Develop the facial features, focusing on accurate proportions and capturing the subject's unique expression.

  5. step 05

    Add details to the table and objects, including the marble texture, cigarette, and matchboxes.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and volume.

  7. step 07

    Add final details, such as the ring and the smoke from the cigarette.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · red · black · white · flesh tones

secondary · brown · yellow · gray

Mix various shades of red by combining primary red with black and white. Achieve skin tones by blending white, yellow ochre, and a touch of red. Use gray and white to create the marble effect on the table.

techniques

  • ·portraiture
  • ·glazing
  • ·color mixing
  • ·rendering textures
  • ·blocking in

common pitfalls

  • →Inaccurate proportions of the figure, especially the face.
  • →Difficulty capturing the unique expression of the subject.
  • →Uneven application of the plaid pattern.
  • →Overworking the details and losing the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, black, white, yellow ochre, burnt umber)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (small round, medium flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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