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home·artworks·Portrait of the Composer Anton von Webern
Portrait of the Composer Anton von Webern by Oskar Kokoschka

plate no. 3710

Portrait of the Composer Anton von Webern

Oskar Kokoschka, 1914

oilExpressionismportraitportraitfiguremanfacehairclothing
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing likeness through simplified forms and strong value contrasts. It also encourages experimentation with a limited color palette to create depth and mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Block in the background with a dark, muted green.

  3. step 03

    Establish the main areas of light on the face and hair with a mix of yellow ochre and white.

  4. step 04

    Define the shadows using burnt umber and black, paying attention to the planes of the face.

  5. step 05

    Add details to the eyes, nose, and mouth, using small, deliberate brushstrokes.

  6. step 06

    Refine the clothing and background, blending some areas and leaving others with visible brushstrokes.

  7. step 07

    Add highlights to the hair and face to create a sense of depth and dimension.

  8. step 08

    Review and adjust the overall composition, ensuring a balance between light and dark areas.

color palette

primary · yellow ochre · burnt umber · black · titanium white

secondary · viridian green

Mix yellow ochre and white for highlights. Use burnt umber and black for shadows. Add a touch of viridian green to the background to create depth.

techniques

  • ·expressive brushwork
  • ·value blocking
  • ·limited palette
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to establish a strong value contrast, resulting in a flat or muddy painting.
  • →Getting bogged down in precise realism instead of capturing the essence of the subject.
  • →Using too many colors, which can muddy the overall effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·black oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette of oil paints to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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