apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Brother of the Painter Micheli
Portrait of the Brother of the Painter Micheli by Amedeo Modigliani

plate no. 5460

Portrait of the Brother of the Painter Micheli

Amedeo Modigliani, 1899

oilExpressionismportraitportraitfigureclothinghatpersonmale
some experience helpful

Recreating this portrait will help students develop skills in tonal shading, capturing likeness, and understanding form through value. Students will also learn to create soft edges and subtle transitions in tone.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall proportions and placement of the figure.

  2. step 02

    Focus on the basic shapes of the head, hat, and clothing.

  3. step 03

    Establish the darkest areas of the portrait, such as the hair and shadows under the chin and hat.

  4. step 04

    Gradually build up the mid-tones, blending carefully to create smooth transitions.

  5. step 05

    Pay close attention to the highlights on the face and clothing, using a light touch.

  6. step 06

    Refine the details of the eyes, nose, and mouth, capturing the likeness of the subject.

  7. step 07

    Soften edges where necessary to create a sense of atmosphere and depth.

  8. step 08

    Add final touches and adjustments to the overall tonal balance.

color palette

primary · charcoal gray · ivory black

secondary · warm gray · cool gray

Achieve variations in tone by layering charcoal or graphite and blending with a blending stump or soft cloth. Use white chalk or charcoal sparingly for highlights.

techniques

  • ·tonal shading
  • ·blending
  • ·hatching
  • ·cross-hatching
  • ·soft edges

common pitfalls

  • →Overworking the drawing and losing the initial freshness.
  • →Creating harsh lines instead of smooth transitions.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of highlights and shadows.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·drawing paper (toned or white)
  • ·kneaded eraser
  • ·blending stumps
  • ·soft cloth
  • ·fixative spray

optional

  • ·white chalk
  • ·graphite pencils
  • ·ruler
  • ·grid

Use a smooth paper for easier blending. Toned paper can help establish mid-tones quickly.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor