
plate no. 6330
Jan Sluyters, 1932
This painting offers a good opportunity to practice portraiture, including capturing likeness and rendering fabric textures. Students can also learn about color mixing to achieve subtle skin tones and the illusion of depth.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, dog, and couch.
Block in the background with a thin layer of diluted paint.
Establish the main value areas for the skin, dress, and fur coat.
Begin refining the facial features, paying attention to light and shadow.
Develop the texture of the fur coat using short, broken brushstrokes.
Add details to the dress and couch, focusing on folds and highlights.
Refine the dog's fur and facial features, capturing its unique expression.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · ivory black · raw umber · cadmium red light
secondary · cerulean blue · yellow ochre · viridian
Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the fur coat's color by mixing white with small amounts of umber, blue, and yellow. The black dress requires mixing black with a touch of blue or umber for depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor