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home·artworks·Portrait of the 20-year-old Ina Leaves
Portrait of the 20-year-old Ina Leaves by Jan Sluyters

plate no. 6330

Portrait of the 20-year-old Ina Leaves

Jan Sluyters, 1932

oilExpressionismportraitportraitwomandogfur coatcouchdress
some experience helpful

This painting offers a good opportunity to practice portraiture, including capturing likeness and rendering fabric textures. Students can also learn about color mixing to achieve subtle skin tones and the illusion of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, dog, and couch.

  2. step 02

    Block in the background with a thin layer of diluted paint.

  3. step 03

    Establish the main value areas for the skin, dress, and fur coat.

  4. step 04

    Begin refining the facial features, paying attention to light and shadow.

  5. step 05

    Develop the texture of the fur coat using short, broken brushstrokes.

  6. step 06

    Add details to the dress and couch, focusing on folds and highlights.

  7. step 07

    Refine the dog's fur and facial features, capturing its unique expression.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · cerulean blue · yellow ochre · viridian

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the fur coat's color by mixing white with small amounts of umber, blue, and yellow. The black dress requires mixing black with a touch of blue or umber for depth.

techniques

  • ·portraiture
  • ·fur texture
  • ·blending
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the freshness of the brushstrokes.
  • →Getting lost in the details of the fur and losing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·flat brushes sizes 4, 8

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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