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home·artworks·Portrait of Suzy Solidor
Portrait of Suzy Solidor by Kees van Dongen

plate no. 3246

Portrait of Suzy Solidor

Kees van Dongen, 1927

oilExpressionismportraitportraitfigurehairshipclothingface
some experience helpful

Recreating this painting will help students develop skills in color mixing for skin tones and capturing a likeness with simplified shapes. It also offers practice in expressive brushwork and creating a sense of depth with color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, hair, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with light blue and white, suggesting the shape of the ship.

  3. step 03

    Establish the main areas of skin tone with a base layer of yellow and green.

  4. step 04

    Add shadows to the face and neck using darker greens and blues.

  5. step 05

    Paint the hair with browns and yellows, using short, visible brushstrokes.

  6. step 06

    Define the features of the face, such as the eyes, nose, and mouth, with careful observation.

  7. step 07

    Add the red blush on the cheek and the black and white sailor collar.

  8. step 08

    Refine the details and adjust the colors as needed to capture the overall mood and likeness.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · cadmium red · ivory black · sap green

Mix greens for the skin tones by combining yellow ochre and ultramarine blue. Achieve the blush by mixing cadmium red with white. Create darker shadows by adding burnt umber to the green mixtures.

techniques

  • ·color mixing
  • ·expressive brushwork
  • ·blocking in
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Using too much black and creating muddy colors.
  • →Failing to capture the correct proportions of the face.
  • →Not paying attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, burnt umber, cadmium red, ivory black, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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