
plate no. 9965
Tahir Salahov, 1976
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with visible brushstrokes. It also provides practice in mixing and applying a limited color palette to create depth and mood.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Establish the main areas of light and shadow with a thin wash of burnt umber or a similar neutral tone.
Block in the large areas of color, such as the background, clothing, and skin tones.
Refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.
Develop the details of the clothing, including the folds and wrinkles.
Add highlights and shadows to create depth and dimension.
Refine the brushwork, using visible strokes to add texture and interest.
Add final details and adjustments to complete the painting.
color palette
primary · titanium white · ivory black · ultramarine blue · burnt umber
secondary · cadmium red · yellow ochre
Mix various shades of gray by combining black and white. Create skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with black or burnt umber, and lighten with white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor