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home·artworks·Portrait of Sculptor Madeleine Jouvray
Portrait of Sculptor Madeleine Jouvray by Magnus Enckell

plate no. 0474

Portrait of Sculptor Madeleine Jouvray

Magnus Enckell, 1894

oilExpressionismportraitportraitfigurewomandresshairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in loose brushwork and subtle blending.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the dark areas of the dress and hair using a mix of black and burnt umber.

  4. step 04

    Begin to build up the skin tones with layers of white, ochre, and a touch of red.

  5. step 05

    Pay close attention to the light and shadow on the face to create form.

  6. step 06

    Refine the details of the eyes, nose, and mouth.

  7. step 07

    Add subtle highlights to the hair and dress.

  8. step 08

    Adjust the overall values and colors to achieve a harmonious balance.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix white with small amounts of ochre and red for skin tones. Use burnt umber and black for the dress, adding small amounts of sienna for highlights. The background is primarily burnt umber and raw sienna, with variations in value.

techniques

  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·layering
  • ·value control

common pitfalls

  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much detail too early in the process.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use a canvas with a smooth texture for easier blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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