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home·artworks·Portrait of Sculptor Barye with a Wax Model of "Seated Lion"
Portrait of Sculptor Barye with a Wax Model of "Seated Lion" by Leon Bonnat

plate no. 9263

Portrait of Sculptor Barye with a Wax Model of "Seated Lion"

Leon Bonnat, 1885

oil, canvasAcademicismportraitportraitfiguresculpturelionclothingtable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure, sculpture, and table.

  2. step 02

    Block in the background with a thin wash of dark, warm colors, focusing on creating a sense of depth.

  3. step 03

    Establish the main value masses of the figure's clothing, paying attention to the highlights and shadows.

  4. step 04

    Start building up the skin tones, using thin layers of paint and blending carefully to create smooth transitions.

  5. step 05

    Paint the sculpture, focusing on capturing the details and texture of the bronze.

  6. step 06

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add the small details like the red decorations on the coat and the object in the hand.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic painting.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and black by combining raw umber, burnt umber, and ivory black. Use white to create highlights and yellow ochre and cadmium red to add warmth to the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and color.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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