
plate no. 8279
Carlos Quizpez Asín, 1924
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and dark fabrics, and creating depth through subtle value changes. It also encourages simplification of forms and expressive brushwork.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Block in the main areas of color, starting with the background.
Establish the basic skin tones and shadows on the face and neck.
Define the features of the face, paying attention to the unique proportions.
Paint the clothing, focusing on the folds and shadows.
Refine the background shapes and colors, creating a sense of depth.
Add highlights and details to the face and clothing.
Make final adjustments to the overall composition and color balance.
color palette
primary · ultramarine blue · burnt umber · raw sienna · titanium white
secondary · yellow ochre · cadmium red · viridian green
Mix skin tones by combining raw sienna, burnt umber, and titanium white, adjusting with small amounts of cadmium red for warmth. Achieve the dark blues of the suit by mixing ultramarine blue and burnt umber. Use yellow ochre and viridian green for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor