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home·artworks·Portrait of Sakutarō Hagiwara
Portrait of Sakutarō Hagiwara by Koshiro Onchi

plate no. 2356

Portrait of Sakutarō Hagiwara

Koshiro Onchi, 1943

oilSōsaku hangaportraitportraitmanheadhairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations and rendering facial features with nuanced shading. It also encourages observation of detail and understanding of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Establish the overall tonal range with a thin wash of diluted brown or gray.

  3. step 03

    Begin building up darker values in the hair, shadows, and clothing.

  4. step 04

    Carefully define the facial features, paying attention to the subtle shifts in tone.

  5. step 05

    Add details to the eyes, nose, and mouth, using small brushstrokes.

  6. step 06

    Refine the edges of the figure and background to create a sense of depth.

  7. step 07

    Add subtle highlights to the face and hair to create dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the values and details.

color palette

primary · raw umber · ivory black · titanium white

secondary · burnt sienna · yellow ochre

Achieve the skin tones by mixing white with small amounts of raw umber, burnt sienna, and yellow ochre. Use black and umber for the hair and shadows, and white to create highlights.

techniques

  • ·dry brushing
  • ·tonal layering
  • ·scumbling
  • ·blending
  • ·portrait sketching

common pitfalls

  • →Overworking the details and losing the overall tonal harmony.
  • →Using too much paint and creating a muddy effect.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle shifts in value and creating a flat, lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (small and medium)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (lightly tinted with a neutral color) can be helpful for establishing the initial tonal range.

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oil painting for beginners →how to learn by studying the masters →
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