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home·artworks·Mt. Rainier in Winter
Mt. Rainier in Winter by Toshi Yoshida

plate no. 1803

Mt. Rainier in Winter

Toshi Yoshida, 1972

oilSōsaku hangalandscapemountainsnowtreeslandscapeskywinter
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and understanding how to simplify complex forms into basic shapes. It also provides practice in creating a sense of perspective through size and placement of elements.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountain, trees, and foreground.

  2. step 02

    Apply a thin wash of pale pink or peach to the sky area.

  3. step 03

    Block in the dark areas of the trees with a dark blue or indigo.

  4. step 04

    Begin layering white and light blue to create the snow-covered mountain, leaving some areas white for highlights.

  5. step 05

    Add details to the mountain using darker blues and grays to define shadows and crevices.

  6. step 06

    Develop the foreground by adding subtle variations of white and light blue to suggest snow drifts.

  7. step 07

    Refine the details of the trees, adding individual branches and varying the darkness of the foliage.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · titanium white · ultramarine blue · black

secondary · burnt umber · cadmium red light

Mix white with small amounts of blue to create various shades of light blue for the snow. Use black sparingly to darken blues for shadows. Mix a tiny amount of red with white for the sky.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective
  • ·simplified forms

common pitfalls

  • →Overworking the details in the mountain, losing the simplified aesthetic.
  • →Using too much black, making the painting appear muddy.
  • →Not creating enough contrast between the light and dark areas.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·black oil paint
  • ·round brushes (small and medium)
  • ·flat brushes (small and medium)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A canvas size of 12x16 or 16x20 inches is recommended.

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oil painting for beginners →how to learn by studying the masters →
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