apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kikuzaka Street
Kikuzaka Street by Toshi Yoshida

plate no. 1096

Kikuzaka Street

Toshi Yoshida, 1939

oilSōsaku hangacityscapestreetbuildingsfigureskimonocityscapefence
some experience helpful

Recreating this painting will help students develop skills in linear perspective, color layering, and capturing the essence of a scene with simplified forms. It also provides practice in rendering textures and patterns.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Outline the figures and other key elements like the fence and trees.

  3. step 03

    Begin layering in the base colors for the sky, buildings, and street, using diluted washes.

  4. step 04

    Add details to the buildings, including windows, roof tiles, and decorative elements.

  5. step 05

    Paint the figures, paying attention to the patterns and folds of their kimonos.

  6. step 06

    Add the dark tones of the fence and the foliage of the trees.

  7. step 07

    Refine the details and add any final touches, such as shadows and highlights.

  8. step 08

    Add the artist's signature and seal.

color palette

primary · pale pink · light gray · dark gray · red

secondary · blue · brown · green · white

Mix pale pink by diluting red with white. Create various shades of gray by mixing black and white. Achieve the kimono colors by mixing primary colors with white to create muted tones.

techniques

  • ·linear perspective
  • ·color layering
  • ·wash technique
  • ·pattern rendering
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking the details and losing the simplicity of the original.
  • →Using colors that are too saturated.
  • →Ignoring the subtle value changes that create depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·pencil
  • ·eraser
  • ·ruler
  • ·palette

optional

  • ·masking fluid
  • ·palette knife
  • ·color pencils

Use high-quality watercolor paper to prevent buckling. Consider using masking fluid to preserve highlights.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Ishiyama Temple

Ishiyama Temple

Toshi Yoshida

Kabe (Wall)

Kabe (Wall)

Kiyoshi Saito

Mt. Rainier in Winter

Mt. Rainier in Winter

Toshi Yoshida

Shinagawa in Snow

Shinagawa in Snow

Yamamura Toyonari

Summer Afternoon

Summer Afternoon

Tadashi Nakayama

Yuki, yuhi (Snow, sunset)

Yuki, yuhi (Snow, sunset)

Kiyoshi Saito

Irozaki, Morning

Irozaki, Morning

Toshi Yoshida

Isahaya Spectacles Bridge

Isahaya Spectacles Bridge

Unichi Hiratsuka