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home·artworks·Shinagawa in Snow
Shinagawa in Snow by Yamamura Toyonari

plate no. 0698

Shinagawa in Snow

Yamamura Toyonari, 1924

oilSōsaku hangalandscapehousesnowlandscapeskytreeswater
suitable for beginners

Recreating this painting will help students develop skills in simplifying complex forms into basic shapes and understanding the use of value to create depth and atmosphere. It also provides practice in creating a limited color palette to evoke a specific mood.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, rooflines, and surrounding landscape, focusing on proportions and perspective.

  2. step 02

    Establish the horizon line and the basic shapes of the sky and water.

  3. step 03

    Block in the main areas of color: the sky, water, house, and snow-covered surfaces.

  4. step 04

    Add darker values to define shadows and create contrast, particularly on the house and snow.

  5. step 05

    Refine the details of the windows, trees, and other elements, paying attention to their shapes and values.

  6. step 06

    Add subtle variations in color to the sky and snow to create depth and interest.

  7. step 07

    Include the small details like the utility pole and the bird.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · payne's gray · yellow ochre

Mix ultramarine blue and titanium white for the sky and water, adjusting the ratio for different values. Use burnt umber for the house, adding small amounts of blue or white to adjust the tone. Mix white with a touch of blue for the snow, and a touch of yellow ochre for the warmer areas.

techniques

  • ·flat wash
  • ·value study
  • ·limited palette
  • ·geometric simplification
  • ·atmospheric perspective

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using too many colors and losing the unity of the palette.
  • →Not establishing a clear value structure, resulting in a flat image.
  • →Ignoring the subtle color variations in the snow and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue acrylic paint
  • ·titanium white acrylic paint
  • ·burnt umber acrylic paint
  • ·payne's gray acrylic paint
  • ·round brushes
  • ·flat brushes
  • ·palette knife

optional

  • ·retarder medium
  • ·palette paper
  • ·easel

Use a smooth canvas to achieve the flat, even tones of the original painting. Acrylics are recommended for their quick drying time and ease of use.

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related guides

oil painting for beginners →how to learn by studying the masters →
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