
plate no. 3621
Paula Modersohn-Becker, 1906
Recreating this painting will help students develop skills in layering paint and using visible brushstrokes to build form and texture. It also provides practice in mixing skin tones and capturing a likeness.
technical profile
approach — 8 steps
Sketch the basic shapes of the head, shoulders, and facial features.
Apply a thin wash of burnt umber to establish the overall value structure.
Begin layering in the background with broad, visible brushstrokes of green and brown.
Mix skin tones using white, red, yellow, and a touch of brown, and apply in short, directional strokes.
Define the facial features, paying attention to the shapes of the eyes, nose, and mouth.
Add details to the beard and hair, using darker shades of brown and black.
Paint the collar and clothing, using a limited palette of white, blue, and black.
Refine the details and adjust the values as needed to create a cohesive and expressive portrait.
color palette
primary · titanium white · burnt umber · cadmium red light · yellow ochre
secondary · viridian green · ivory black · ultramarine blue
Skin tones are achieved by mixing white, red, yellow, and a touch of brown. Green is mixed from blue and yellow, with umber added for duller shades.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas to enhance the texture of the brushstrokes. Consider using a fast-drying medium to speed up the drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor