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home·artworks·Portrait of O.I. Rybakova in childhood
Portrait of O.I. Rybakova in childhood by Zinaida Serebriakova

plate no. 6732

Portrait of O.I. Rybakova in childhood

Zinaida Serebriakova, 1923

oilExpressionismportraitportraitfiguregirlclothinghairindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, diffused lighting and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: skin, clothing, background, and hair.

  3. step 03

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Refine the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, capturing the folds and highlights with soft brushstrokes.

  6. step 06

    Develop the background, using loose strokes to create a sense of depth.

  7. step 07

    Add details such as the hair, the bow, and the embroidered flower on the dress.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and balanced composition.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · alizarin crimson · raw umber

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna and alizarin crimson. Use ultramarine blue and raw umber to create the darker background tones. Mix white with small amounts of other colors to create highlights.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·soft brushstrokes

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the soft, diffused lighting.
  • →Ignoring the subtle color variations in the skin and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·raw umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →how to learn by studying the masters →
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