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home·artworks·Portrait of Mrs. Zimmerman
Portrait of Mrs. Zimmerman by Prudence Heward

plate no. 1043

Portrait of Mrs. Zimmerman

Prudence Heward, 1943

oilExpressionismportraitportraitfigurechairinteriorwomanskirt
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, and understanding color temperature and how it affects form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair on the canvas.

  2. step 02

    Establish the background color with a thin wash of green and brown.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and chair, focusing on the overall values.

  4. step 04

    Begin to refine the skin tones, using subtle variations of color to create form and depth.

  5. step 05

    Develop the details of the hair, using small brushstrokes to suggest texture and volume.

  6. step 06

    Add the details of the clothing and chair, paying attention to the patterns and textures.

  7. step 07

    Refine the background, adding subtle variations of color and value to create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · titanium white · yellow ochre · burnt umber · viridian

secondary · cadmium red · ultramarine blue · raw sienna

Mix skin tones by blending white, yellow ochre, burnt umber, and a touch of red. Use viridian and burnt umber to create the green background, adjusting the ratio for different shades.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overmixing skin tones resulting in muddy colors.
  • →Ignoring the subtle variations in color and value.
  • →Getting the proportions of the figure wrong.
  • →Not paying attention to the light source.
  • →Overworking the painting and losing the freshness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·color wheel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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