
plate no. 1600
Joshua Johnson, 1810
Recreating this portrait will help students develop skills in portrait proportions, color mixing for skin tones, and rendering fabric textures. Students will also learn about creating a sense of depth through subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the oval frame and the basic proportions of the head, shoulders, and torso.
Block in the background with a dark, muted green-black color.
Establish the main skin tones using a limited palette of white, yellow ochre, and burnt umber.
Begin building up the form of the face, paying attention to highlights and shadows.
Paint the dress using a mix of blues and grays, capturing the subtle folds and drapery.
Add the details of the lace collar and bonnet, using thin washes of white and gray.
Paint the necklace and other jewelry, adding highlights to create a sense of realism.
Refine the details and adjust the values to create a cohesive and balanced composition.
color palette
primary · titanium white · ivory black · yellow ochre · ultramarine blue
secondary · burnt umber · raw sienna · cadmium yellow light
Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt umber. The dress color is created by mixing ultramarine blue, white, and a small amount of black or burnt umber. Use glazes to create depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Pre-toned canvas is recommended.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein