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home·artworks·Portrait of Mrs. Barbara Baker Murphy
Portrait of Mrs. Barbara Baker Murphy by Joshua Johnson

plate no. 1600

Portrait of Mrs. Barbara Baker Murphy

Joshua Johnson, 1810

oil, canvasNaïve Art (Primitivism)portraitportraitwomandresslacejewelryfigure
some experience helpful

Recreating this portrait will help students develop skills in portrait proportions, color mixing for skin tones, and rendering fabric textures. Students will also learn about creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic proportions of the head, shoulders, and torso.

  2. step 02

    Block in the background with a dark, muted green-black color.

  3. step 03

    Establish the main skin tones using a limited palette of white, yellow ochre, and burnt umber.

  4. step 04

    Begin building up the form of the face, paying attention to highlights and shadows.

  5. step 05

    Paint the dress using a mix of blues and grays, capturing the subtle folds and drapery.

  6. step 06

    Add the details of the lace collar and bonnet, using thin washes of white and gray.

  7. step 07

    Paint the necklace and other jewelry, adding highlights to create a sense of realism.

  8. step 08

    Refine the details and adjust the values to create a cohesive and balanced composition.

color palette

primary · titanium white · ivory black · yellow ochre · ultramarine blue

secondary · burnt umber · raw sienna · cadmium yellow light

Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt umber. The dress color is created by mixing ultramarine blue, white, and a small amount of black or burnt umber. Use glazes to create depth.

techniques

  • ·portrait proportions
  • ·color mixing for skin tones
  • ·glazing
  • ·rendering fabric
  • ·blending

common pitfalls

  • →Incorrectly proportioning the face
  • →Over-blending the skin tones
  • →Failing to capture the subtle value changes in the dress
  • →Getting the lace details muddy
  • →Ignoring the importance of highlights and shadows

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, ivory black, yellow ochre, ultramarine blue, burnt umber)
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas is recommended.

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