apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Mlle.M. Horsch
Portrait of Mlle.M. Horsch by Nikolaos Lytras

plate no. 8247

Portrait of Mlle.M. Horsch

Nikolaos Lytras, 1917

oil, canvasExpressionismportraitportraitfigurewomanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression with loose brushwork and limited color palette. It also provides practice in creating depth and form using value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure's clothing with dark values, paying attention to the folds and drapery.

  4. step 04

    Begin to define the facial features with subtle variations in value and color, focusing on the light and shadow.

  5. step 05

    Add highlights to the face, hair, and hands to create a sense of depth and form.

  6. step 06

    Refine the details of the clothing and background, using loose brushstrokes to create texture and interest.

  7. step 07

    Adjust the overall value contrast to create a sense of drama and mood.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna

secondary · titanium white · yellow ochre · cadmium red light

Mix various shades of brown and black by combining raw umber, burnt sienna, and ivory black. Use white to create lighter values and yellow ochre and cadmium red light to add warmth to the skin tones.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the loose, expressive brushwork.
  • →Failing to establish a strong value contrast, resulting in a flat or muddy painting.
  • →Getting the proportions of the figure wrong, leading to an inaccurate likeness.
  • →Using too much color and losing the subtle tonal variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value range.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor