apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Milka Peykova
Portrait of Milka Peykova by Georgi Kovachev

plate no. 8267

Portrait of Milka Peykova

Georgi Kovachev, 1961

oilExpressionismportraitportraitfigurehairfaceorange background
some experience helpful

Recreating this painting will help students practice simplifying complex forms and using expressive brushstrokes to create texture and interest. It also provides an opportunity to explore color mixing and layering to achieve a dynamic background.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a thin layer of orange paint, using loose, visible brushstrokes.

  3. step 03

    Mix a skin tone using browns, oranges, and a touch of white, and apply it to the face and neck, leaving some areas lighter and darker to suggest form.

  4. step 04

    Paint the hair with dark brown or black, using short, choppy brushstrokes to create texture.

  5. step 05

    Mix a dark color for the clothing, incorporating hints of green, red, and brown to add depth.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Refine the edges of the shapes and add highlights and shadows to create a sense of depth.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to the colors, values, or shapes.

color palette

primary · orange · brown · black

secondary · green · red · white

Achieve the skin tone by mixing burnt umber, raw sienna, and titanium white. Darken areas with a touch of black or burnt umber. The clothing color is a mix of dark green, brown, and red.

techniques

  • ·expressive brushstrokes
  • ·color layering
  • ·simplification of form
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating a flat, lifeless skin tone.
  • →Ignoring the importance of value contrast.
  • →Not simplifying the forms enough.
  • →Using too much paint and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·Acrylic or oil paints
  • ·Canvas or painting paper
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Water or solvent (depending on paint type)
  • ·Rags
  • ·Easel

optional

  • ·Medium (for oil paints)
  • ·Varnish

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor