
plate no. 6655
This painting is a great exercise in alla prima portraiture, focusing on capturing likeness and form with direct painting. Students will learn to mix skin tones and simplify details for a quick, expressive portrait.
technical profile
approach — 8 steps
Sketch the basic proportions and placement of the figure on the canvas with a light wash of burnt umber.
Block in the main shapes of the face, hair, and clothing using simplified color masses.
Start refining the skin tones by mixing various shades of pink, yellow, and brown, applying them with short, directional brushstrokes.
Define the features of the face, paying attention to the subtle shifts in value and color.
Add details to the hair, using a smaller brush to create texture and volume.
Work on the clothing, using a similar approach of blocking in the main shapes and then adding details.
Refine the background color, ensuring it complements the overall color scheme.
Add final highlights and shadows to enhance the form and create a sense of depth.
color palette
primary · titanium white · burnt sienna · yellow ochre
secondary · cadmium red · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. Use blue to neutralize the tones and create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base color.
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