
plate no. 5401
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also encourages simplification of forms and capturing a mood rather than precise detail.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, hat, and plant.
Establish the background with broad strokes of white and gray, suggesting the snowy landscape.
Block in the main colors of the face, hat, scarf, and coat, focusing on value relationships.
Begin to refine the facial features, paying attention to subtle shifts in color and value.
Add texture to the scarf and coat using short, broken brushstrokes.
Paint the plant, using darker greens for the leaves and a warm brown for the pot.
Adjust the overall color harmony and add any final details.
Allow to dry and add a varnish.
color palette
primary · titanium white · raw umber · cadmium red light · ultramarine blue
secondary · yellow ochre · burnt sienna
Skin tones are achieved by mixing white, red, and a touch of umber. The blue in the hat is muted with umber. The scarf is a mix of white, umber, and a touch of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor