apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Lucian Freud
Portrait of Lucian Freud by Francis Bacon

plate no. 9704

Portrait of Lucian Freud

Francis Bacon, 1951

oilExpressionismportraitportraitfiguredoorwayshadowinteriorman
experienced study

Recreating this painting will help students develop skills in expressive brushwork, capturing a likeness with minimal detail, and creating atmosphere through value contrasts. It also encourages exploration of non-traditional portraiture.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: the figure, doorway, and floor planes.

  2. step 02

    Block in the large areas of dark background and the yellow floor with thin washes.

  3. step 03

    Establish the figure's basic form with dark tones, focusing on the overall shape and proportions.

  4. step 04

    Add highlights to the face and hands, using thick, expressive brushstrokes.

  5. step 05

    Define the doorway and column with loose, gestural marks.

  6. step 06

    Create the shadows on the floor, paying attention to their shape and direction.

  7. step 07

    Refine the details of the figure's clothing, using a combination of wet-on-wet and dry brush techniques.

  8. step 08

    Add final touches and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · ivory black · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber

Mix the floor color by combining yellow ochre with a touch of white and burnt umber. Achieve the dark tones by mixing ivory black with ultramarine blue and burnt umber. Use white to create highlights and lighter values.

techniques

  • ·expressive brushwork
  • ·dry brush texture
  • ·scumbling
  • ·value contrast
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value contrast.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (flat and round)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (alkyd or oil)
  • ·varnish

Use high-quality oil paints for best results. Consider using a slightly textured canvas to enhance the expressive brushwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor