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home·artworks·Portrait of Lena Milius
Portrait of Lena Milius by Theo van Doesburg

plate no. 4992

Portrait of Lena Milius

Theo van Doesburg, 1915

oil, canvasExpressionismportraitportraitfigurewomanfacehairclothing
some experience helpful

Recreating this painting will help students understand color temperature and how to use visible brushstrokes to define form. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders.

  2. step 02

    Block in the background with a thin layer of off-white paint.

  3. step 03

    Establish the main areas of light and shadow on the face using a limited palette of pinks, purples, and greens.

  4. step 04

    Paint the hair using dark grays and blacks, paying attention to the direction of the brushstrokes to suggest form.

  5. step 05

    Mix and apply the green for the clothing, varying the tone slightly to create depth.

  6. step 06

    Add details to the eyes and lips, using small, precise brushstrokes.

  7. step 07

    Refine the edges and blend colors as needed to achieve a cohesive look.

  8. step 08

    Add the shadow on the left side.

color palette

primary · titanium white · sap green · alizarin crimson · ivory black

secondary · ultramarine blue · yellow ochre

Mix pinks by combining white with alizarin crimson. Create greens by mixing sap green with yellow ochre or ultramarine blue. Use ivory black and white to create various shades of gray.

techniques

  • ·blocking in
  • ·color mixing
  • ·visible brushstrokes
  • ·simplification of form
  • ·scumbling

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Using too much detail, which can detract from the expressive quality of the painting.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, sap green, alizarin crimson, ivory black, ultramarine blue, yellow ochre)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·palette knife
  • ·rags
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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