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home·artworks·Portrait of James Baldwin
Portrait of James Baldwin by Beauford Delaney

plate no. 3917

Portrait of James Baldwin

Beauford Delaney, 1965

oilExpressionismportraitportraitfigurefacehairyellow backgroundclothing
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create skin tones and capture a likeness. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Block in the background with a base layer of yellow, varying the tone slightly.

  3. step 03

    Establish the darkest areas of the hair and face with dark brown.

  4. step 04

    Mix a range of skin tones using browns, yellows, and reds, and apply them with visible brushstrokes.

  5. step 05

    Define the facial features, paying attention to the highlights and shadows.

  6. step 06

    Add details to the eyes, nose, and mouth.

  7. step 07

    Paint the clothing with varying shades of yellow, following the form.

  8. step 08

    Refine the brushwork and color variations to create a sense of depth and texture.

color palette

primary · yellow ochre · burnt umber · raw sienna

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix skin tones by combining burnt umber, raw sienna, yellow ochre, and small amounts of alizarin crimson and ultramarine blue. Use more yellow for highlights and more umber/blue for shadows. Vary the yellow by mixing in white or a touch of green.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Using too much of a single color for the skin tone.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, raw sienna, cadmium yellow, alizarin crimson, ultramarine blue, titanium white)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and drying time.

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oil painting for beginners →how to learn by studying the masters →
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