apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Jacques de la Fregonniere
Portrait of Jacques de la Fregonniere by Lajos Tihanyi

plate no. 3795

Portrait of Jacques de la Fregonniere

Lajos Tihanyi, 1933

oilExpressionismportraitportraitmanhatsuitfigureclothing
some experience helpful

This painting offers a good opportunity to practice expressive brushwork and color mixing to create a unique portrait. Students can learn to capture a likeness while using bold strokes and simplified forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, paying attention to proportions and pose.

  2. step 02

    Block in the background with a solid layer of red, leaving some texture.

  3. step 03

    Establish the main color areas for the hat, suit, and skin tones.

  4. step 04

    Begin adding details to the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Develop the folds and shadows in the clothing, using thicker paint and visible brushstrokes.

  6. step 06

    Refine the details of the hands and cane, adding highlights and shadows.

  7. step 07

    Adjust the overall color balance and contrast to achieve the desired effect.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · red · green · flesh tones · blue

secondary · yellow · brown · white

Mix greens by combining blues and yellows, and adjust with browns or reds for different shades. Flesh tones can be achieved by mixing reds, yellows, and whites, with small amounts of blue or green for shadows.

techniques

  • ·expressive brushwork
  • ·color mixing
  • ·layering
  • ·simplification of form
  • ·scumbling

common pitfalls

  • →Over-blending colors, losing the expressive brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the overall color harmony.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor