apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ilya Bolotowsky
Portrait of Ilya Bolotowsky by William H. Johnson

plate no. 2400

Portrait of Ilya Bolotowsky

William H. Johnson, 1930

oilExpressionismportraitportraitfiguremanclothingfaceexpressionism
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create mood and character. It also encourages exploration of non-realistic portraiture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and major features.

  2. step 02

    Block in the large areas of color, starting with the background and then the figure's clothing.

  3. step 03

    Establish the basic skin tones using a mix of warm and cool colors, paying attention to the light and shadow.

  4. step 04

    Begin to define the facial features, using expressive brushstrokes to capture the character of the subject.

  5. step 05

    Add details to the clothing and background, using a variety of brushstrokes to create texture and interest.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add final touches and details to complete the painting.

  8. step 08

    Step back and assess the overall composition and make any necessary adjustments.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red · titanium white

Achieve skin tones by mixing burnt sienna, yellow ochre, and a touch of cadmium red. Darken colors with ultramarine blue and lighten with titanium white.

techniques

  • ·expressive brushwork
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →overworking the painting
  • →getting bogged down in details too early
  • →not capturing the expressive quality of the brushstrokes
  • →inaccurate proportions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor