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home·artworks·Portrait of Ibnul Emin Mahmut Kemal
Portrait of Ibnul Emin Mahmut Kemal by Feyhaman Duran

plate no. 1102

Portrait of Ibnul Emin Mahmut Kemal

Feyhaman Duran, 1946

oil, canvasExpressionismportraitportraitfiguremanchairindoorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main shapes of the figure, using darker values for the clothing and lighter values for the face and hands.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle variations in value and color.

  5. step 05

    Add details to the clothing and chair, using short, broken brushstrokes to create texture.

  6. step 06

    Work on the fur collar, blending browns and reds to create a sense of depth and warmth.

  7. step 07

    Add highlights to the face, hands, and clothing to create a sense of light and form.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre

Mix burnt umber and ivory black for the dark clothing. Use raw sienna and yellow ochre for the skin tones, adding small amounts of cadmium red for warmth.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·blending
  • ·value study
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to capture the likeness of the subject.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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