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home·artworks·Portrait of I. Korovets
Portrait of I. Korovets by Oleksa Novakivskyi

plate no. 9795

Portrait of I. Korovets

Oleksa Novakivskyi, 1931

oilPost-Impressionismportraitportraitfiguremansuitbackgroundindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and brushwork. It also provides practice in capturing likeness and conveying a sense of personality.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and overall pose.

  2. step 02

    Establish the background with broad strokes, focusing on the general color scheme and patterns.

  3. step 03

    Block in the main areas of the face with light and shadow, using a limited palette of skin tones.

  4. step 04

    Refine the facial features, paying attention to the eyes, nose, and mouth. Add subtle details to capture the likeness of the subject.

  5. step 05

    Paint the suit and tie, using darker values to create depth and form.

  6. step 06

    Add highlights and shadows to the background to create a sense of space and atmosphere.

  7. step 07

    Refine the details and textures throughout the painting, using a variety of brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · raw umber · burnt sienna · titanium white · yellow ochre

secondary · ultramarine blue · alizarin crimson · sap green

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create dark neutrals for the suit.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Neglecting the background and its relationship to the figure.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (raw umber, burnt sienna, titanium white, yellow ochre, ultramarine blue, alizarin crimson, sap green)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gel
  • ·Retouch varnish
  • ·Easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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