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home·artworks·Portrait of Hudson
Portrait of Hudson by Beauford Delaney

plate no. 2365

Portrait of Hudson

Beauford Delaney, 1932

oilExpressionismportraitportraitfiguremanshirtfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing skin tones and using expressive brushstrokes to create form and texture. It also provides practice in creating a simple background that complements the subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and shirt.

  2. step 02

    Block in the background with a thin layer of blue and white, creating a mottled effect.

  3. step 03

    Establish the darkest values in the hair and shadows of the face.

  4. step 04

    Begin layering in mid-tones and highlights on the face, paying attention to the subtle shifts in color.

  5. step 05

    Paint the white shirt, using variations of white, cream, and gray to create form and shadow.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add final touches and highlights to the hair and shirt.

  8. step 08

    Review and adjust the overall composition and values.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson

Mix various shades of brown and ochre for the skin tones. Use blue and white for the background, and add small amounts of yellow and red to create subtle variations. Mix white with small amounts of yellow ochre, burnt umber, and blue to create the off-white color of the shirt.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·broken color

common pitfalls

  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Using pure white for the shirt, which will make it look unnatural.
  • →Ignoring the subtle color variations in the background.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·painting easel
  • ·rags
  • ·mahl stick
  • ·retarder medium

Use a medium-grain canvas for best results. Oil paints will allow for more blending and layering, while acrylics will dry faster.

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oil painting for beginners →how to learn by studying the masters →
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