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home·artworks·Portrait of Gustave Candel's Mother
Portrait of Gustave Candel's Mother by Marcel Duchamp

plate no. 9851

Portrait of Gustave Candel's Mother

Marcel Duchamp, 1912

oil, canvasExpressionismportraitportraitfigurebustbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating subtle tonal variations in skin tones, as well as understanding the effects of light and shadow on form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bust, head, and background, paying attention to proportions.

  2. step 02

    Establish the overall warm tone of the background using a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Block in the dark areas of the bust with a mix of black and burnt umber, focusing on the shadows.

  4. step 04

    Begin layering in the skin tones, using a mix of white, yellow ochre, burnt sienna, and a touch of red.

  5. step 05

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  6. step 06

    Add details to the collar and the stand, using darker values to create depth.

  7. step 07

    Blend the edges of the forms to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the portrait.

color palette

primary · yellow ochre · burnt sienna · black · titanium white

secondary · burnt umber · cadmium red

Achieve the skin tones by mixing white, yellow ochre, burnt sienna, and a touch of red. Use burnt umber and black to create the dark tones of the bust and stand. Add white to these dark tones to create lighter shades.

techniques

  • ·tonal layering
  • ·blending
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall simplicity of the painting.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle tonal variations in the skin tones.
  • →Ignoring the importance of blending and creating harsh edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·burnt umber oil paint
  • ·black oil paint
  • ·titanium white oil paint
  • ·round brushes (small and medium)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to thin the paint and improve flow.

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