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home·artworks·Portrait of girl sitting
Portrait of girl sitting by Rafael Zabaleta

plate no. 0725

Portrait of girl sitting

Rafael Zabaleta, 1943

oil, canvasExpressionismportraitportraitgirldresschairindoorbow
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabric, and capturing the essence of a subject's expression. It also provides practice in depicting textures and patterns with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the girl, chair, and background.

  2. step 02

    Establish the main color blocks for the skin, dress, background, and chair.

  3. step 03

    Mix and apply base layers for skin tones, focusing on light and shadow.

  4. step 04

    Develop the blue dress, adding the floral pattern with smaller brushes.

  5. step 05

    Define the features of the face, paying attention to the eyes and mouth.

  6. step 06

    Add details to the chair and background, creating depth and texture.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · cerulean blue · yellow ochre · raw umber · titanium white

secondary · cadmium orange · burnt sienna · ivory black

Mix skin tones by blending yellow ochre, raw umber, and titanium white. Achieve the blue of the dress by mixing cerulean blue with white and a touch of yellow. Use burnt sienna and raw umber for the chair and background.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brush
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat appearance.
  • →Getting the proportions of the face incorrect.
  • →Making the floral pattern on the dress too uniform.
  • →Neglecting the background and chair, causing them to appear unfinished.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (cerulean blue, yellow ochre, raw umber, titanium white, cadmium orange, burnt sienna, ivory black)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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