apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Faith
Portrait of Faith by Robert Henri

plate no. 2031

Portrait of Faith

Robert Henri, 1927

oilAmerican Realismportraitportraitfigurechildclothingfacehair
some experience helpful

This painting provides an opportunity to practice portraiture, focusing on capturing likeness and using light and shadow to create form. It also allows for exploration of expressive brushwork and limited color palettes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using broad strokes.

  4. step 04

    Refine the facial features, focusing on capturing the likeness and expression.

  5. step 05

    Develop the details of the clothing, paying attention to the folds and highlights.

  6. step 06

    Add the red bow, ensuring it complements the overall color scheme.

  7. step 07

    Adjust the values and colors to create a sense of depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Mix yellow ochre and burnt umber to create the base tone for the skin and clothing. Use titanium white to lighten these tones for highlights. Mix ultramarine blue and burnt umber to create the dark background.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·broken color
  • ·portraiture
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating a flat, lifeless image by not paying attention to values.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base tone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent

Road to Asgaard   Adirondack

Road to Asgaard Adirondack

Rockwell Kent

Todd Shipyard

Todd Shipyard

Alexander Calder