
plate no. 2984
Leon Bonnat, 1892
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth through subtle value changes. It also provides practice in rendering fabric and skin tones.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure using light pencil lines.
Establish the main areas of light and shadow with a thin wash of burnt umber.
Block in the background with a dark, muted color, paying attention to the subtle variations in tone.
Begin building up the skin tones, starting with the mid-tones and gradually adding highlights and shadows.
Carefully render the details of the face, focusing on capturing the likeness of the subject.
Paint the clothing, using darker values to create depth and form.
Add the highlights on the hair and clothing.
Refine the details and make any necessary adjustments to the composition.
color palette
primary · ivory black · burnt umber · titanium white · yellow ochre
secondary · cadmium red light · ultramarine blue
Mix skin tones using titanium white, yellow ochre, and a touch of cadmium red. Use ivory black and burnt umber to create the dark background and clothing, adding small amounts of ultramarine blue to cool the tone.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of a Young Woman
George Demetrescu Mirea

My daughters, Eva and Jeanne
Diogène Maillart

The Reluctant Bride
Auguste Toulmouche

The Proposal
Wladyslaw Czachorski

The Dressing Room
Henri-Pierre Picou

Girl with pinks
Wladyslaw Czachorski

Self-Portrait
George Demetrescu Mirea

Portrait of Monsieur Allard
Leon Bonnat