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home·artworks·Portrait of Eduardo De Filippo
Portrait of Eduardo De Filippo by Zani Corrado

plate no. 2078

Portrait of Eduardo De Filippo

Zani Corrado, 2018

oilExpressionismportraitportraitfiguremanfaceprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using expressive brushstrokes to define form. It also provides practice in simplifying a complex subject into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and facial features.

  2. step 02

    Block in the background with dark blues and blacks, establishing the overall value range.

  3. step 03

    Apply a base layer of light, greenish-white to the face, leaving areas for shadows.

  4. step 04

    Begin adding darker values to define the shadows and contours of the face, using a mix of browns, greens, and blues.

  5. step 05

    Use short, directional brushstrokes to build up the form and texture of the skin.

  6. step 06

    Add highlights with pure white or light yellow, focusing on areas where light hits the face.

  7. step 07

    Refine the details of the eyes, nose, and mouth, paying attention to their shape and placement.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and expressive portrait.

color palette

primary · titanium white · ivory black · ultramarine blue

secondary · burnt umber · sap green · yellow ochre

Mix white with small amounts of green and umber to create the skin tones. Use ultramarine and black for the darkest shadows. Mix white with yellow ochre for highlights.

techniques

  • ·expressive brushstrokes
  • ·value blocking
  • ·color mixing
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Ignoring the value structure, resulting in a flat and lifeless portrait.
  • →Being too literal and not allowing for expressive interpretation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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