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home·artworks·Portrait of Dramatist Margarita Urueta
Portrait of Dramatist Margarita Urueta by David Alfaro Siqueiros

plate no. 2850

Portrait of Dramatist Margarita Urueta

David Alfaro Siqueiros, 1947

pyroxylinExpressionismportraitportraitfigurewomandresshairhand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle tonal variations in skin tones. It will also help with understanding how to render fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, hands, and overall pose.

  2. step 02

    Block in the main areas of color: skin tones, hair, dress, and background.

  3. step 03

    Begin to refine the facial features, paying close attention to the eyes, nose, and mouth.

  4. step 04

    Add details to the hair, creating texture and volume with varied brushstrokes.

  5. step 05

    Work on the dress, capturing the folds and patterns with careful observation.

  6. step 06

    Develop the background, creating depth and atmosphere with subtle color variations.

  7. step 07

    Refine the hands, paying attention to the subtle curves and shadows.

  8. step 08

    Add final highlights and shadows to enhance the overall form and create a sense of realism.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · viridian green · ivory black

Mix skin tones using yellow ochre, burnt umber, cadmium red, and titanium white. Achieve the green in the dress by mixing viridian green with yellow ochre and a touch of black. Use burnt umber and black to create the dark areas.

techniques

  • ·portraiture
  • ·blending
  • ·modeling
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face
  • →Overblending the skin tones
  • →Ignoring the subtle color variations in the dress
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas for best results. Pyroxylin is a type of lacquer, but oil paint is a good substitute for learning purposes.

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