
plate no. 0130
Marie Laurencin, 1949
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness with simplified forms. It also encourages expressive brushwork and understanding of subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, shoulders, and facial features.
Block in the background with a thin layer of green paint, varying the tone slightly.
Establish the main skin tone using a mix of white, pink, and a touch of blue/grey.
Define the shadows and highlights on the face, paying attention to the planes of the face.
Paint the hair using dark grey and black, with visible brushstrokes to suggest texture.
Add details to the eyes, lips, and clothing, using small brushes.
Refine the overall composition and adjust colors as needed.
Add the signature and date in a similar style to the original.
color palette
primary · titanium white · viridian green · ivory black · cadmium red light
secondary · ultramarine blue · yellow ochre
Skin tones are achieved by mixing white with small amounts of red, blue, and yellow. The background green is a mix of viridian green and white, with subtle variations achieved by adding small amounts of blue or yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. If using acrylics, work quickly as they dry fast. If using oils, allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor