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home·artworks·Portrait of Blaise Cendrars
Portrait of Blaise Cendrars by Amedeo Modigliani

plate no. 9673

Portrait of Blaise Cendrars

Amedeo Modigliani, 1917

oil, cardboardExpressionismportraitportraitfiguremanclothingfacehead
some experience helpful

Recreating this painting will help students develop skills in simplifying forms and capturing a likeness with limited color variations and visible brushstrokes. It also encourages expressive mark-making and understanding of basic portrait proportions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to the elongated proportions.

  2. step 02

    Block in the background with a dark, muted color, using loose, visible brushstrokes.

  3. step 03

    Mix a skin tone using a combination of red, yellow, and white, and apply it to the face and neck, leaving some areas lighter and darker to suggest form.

  4. step 04

    Define the features (eyes, nose, mouth) with simple shapes and lines, using darker tones for shadows and lighter tones for highlights.

  5. step 05

    Paint the hair with short, choppy brushstrokes, using a mix of brown and black.

  6. step 06

    Add the collar and tie, using white and gray tones, respectively.

  7. step 07

    Paint the suit jacket with a dark brown or black, using visible brushstrokes to create texture.

  8. step 08

    Refine the details and adjust the colors as needed to match the original painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · cadmium red light · ultramarine blue

Mix skin tones by blending burnt sienna, raw umber, and titanium white. Use ultramarine blue and raw umber to create a muted black for the background and clothing.

techniques

  • ·blocking in
  • ·visible brushstrokes
  • ·simplifying forms
  • ·limited palette
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Getting the proportions wrong
  • →Using too many colors
  • →Blending too much and losing the expressive brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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