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home·artworks·Portrait of Benvenuti Gonzalez del Campillo
Portrait of Benvenuti Gonzalez del Campillo by Carlos Saenz de Tejada

plate no. 1915

Portrait of Benvenuti Gonzalez del Campillo

Carlos Saenz de Tejada, 1920

oilExpressionismportraitportraitfigureveildressfacehead covering
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing the subtle color variations in skin tones and the delicate details of the veil. It also offers practice in rendering fabric and creating a sense of depth through layering and color blending.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the overall pose.

  2. step 02

    Block in the background with a thin layer of blue and gray, establishing the overall tone.

  3. step 03

    Establish the main areas of light and shadow on the figure's face, neck, and arms using a limited palette of skin tones.

  4. step 04

    Begin layering colors to build up the form and create subtle transitions between light and shadow.

  5. step 05

    Paint the white dress, paying attention to the folds and how light interacts with the fabric.

  6. step 06

    Carefully render the veil, focusing on the intricate patterns and the way it drapes over the figure.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Refine the overall painting by adjusting colors, values, and details as needed.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · burnt sienna · raw umber · viridian

Mix skin tones by blending white, red, yellow ochre, and a touch of blue. Achieve the veil's delicate patterns by mixing white with small amounts of yellow ochre and burnt sienna.

techniques

  • ·color blending
  • ·layering
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overmixing colors and creating muddy tones
  • →Losing the proportions of the figure
  • →Getting lost in the details of the veil too early
  • →Failing to capture the subtle color variations in the skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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