
plate no. 0348
Marie Laurencin, 1924
Recreating this painting will help students practice simplified portraiture, color mixing for skin tones, and creating a sense of depth with limited detail. It also encourages expressive brushwork and capturing a mood rather than precise realism.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, hat, and flowers.
Block in the background with a thin wash of green and blue, leaving some areas lighter.
Establish the dark areas of the hat and dress with black and dark blue.
Mix skin tones using white, pink, and a touch of yellow, and apply to the face and hands.
Paint the flowers with varying shades of pink and white, adding touches of green for the leaves.
Add details to the face, such as the eyes, lips, and eyebrows, using small brushstrokes.
Paint the bird and the ribbon-like shapes in the background with light pink and white.
Refine the edges and add any final touches to complete the painting.
color palette
primary · titanium white · ultramarine blue · black · rose madder
secondary · yellow ochre · viridian green · violet
Skin tones are achieved by mixing white with small amounts of pink and yellow. The background greens are created by mixing blue and yellow with white. Use white to lighten all colors and create subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches). Acrylic paints are easier for beginners, but oil paints offer richer colors and blending capabilities.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor